James Phillip Gates
The theatre can play an enormous part in the transformation of the whole of existence.
My journey as a theatre practitioner has been exciting and varied. Training as a classical actor at the prestigious Old Vic Theatre School in Bristol, England - originally founded by Sir Laurence Olivier in the 1940s - was the genesis of a deeper creative drive. A pulsing urgency to expand my vision beyond a specific character was the propulsion into directing.
I departed London having been the co-helmer of a very successful theatre company, and landed on the shores of the United States in readiness to start a new venture as the Artistic Director of Roust Theatre Company. The backbone of my directorial output in Europe was Shakespeare, here in New York City it’s been contemporary work: I feel honored when immersed in either. And no matter the genre, I endeavor to work on socially relevant theatre that not only uncompromisingly plumbs the depths of the human condition, but diligently seeks to unfold the machinations of the world in which we currently live. Consistent striving to hold the audience in the grip of unrelenting, imaginative theatre, that forces them to sit up and question the world around them, is my guiding M.O.
I love listening, collaborating and supporting while in the trenches with my fellows.